A newly published story by Dawn Promislow, SLS 09 participant, set in Vilnus.
Enjoy.
Summer Literary Seminars
A newly published story by Dawn Promislow, SLS 09 participant, set in Vilnus.
Enjoy.
An interesting insight from SLS Montreal panelist and guest lecturer Steve Almond on his first experience of capitalism and his work today as a writer.
Big congrats to SLS Montreal special guest Gary Shteyngart, who was recently named one of the twenty best writers under forty by the New Yorker. The New Yorker’s list was compiled in part by another SLS special guest, fiction editor Deborah Treisman; you can read her and co-editor Cressida Leyshon’s essay about choosing the top twenty here.
The always reliable Pop Matters has asked nearly every music critic they could get their hands on to share their tips for aspiring journalists, reviewers, and feature writers. Among the host of participants is SLS Montreal faculty member Chuck Klosterman, whose advice is sage, sober, and practical (“Clarity is extremely important, unless you honestly don’t care about how people interpret your ideas.”) Check out the article here (Chuck is at the bottom of the page).
SLS Montreal special guest Gary Shteyngart was recently interviewed by the folks at The Days of Yore, who asked him about his pre-publication life as an aspiring writer. For those seeking asylum in graduate programs: behold your future.
The Globe and Mail is edited on May 10 by two guest editors – anti-poverty activists Bono and Bob Geldof – who produced a special issue focused on the future of Africa and its importance not just for the more than 1 billion people living on that continent, but for Canadians and the rest of the West as well. See the full section here.
SLS Montreal poetry faculty member Martin Espada has a poem featured in the Huffington Post. Enjoy it here.
Take a gander at Popmatters’ review of SLS friend and special guest Robert Coover’s new crime novel, Noir, wherein the point is made that, unlike certain other A-list authors who have recently dabbled in crime, Coover’s novel is utterly unfilmable–and that’s a good thing.